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Gerard David
Mary and Child
Date 1490(1490)
Medium Oil on wood
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Gerard David
Virgin and Child with the Milk Soup
Date ca. 1515(1515)
Medium Oil on oak
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Gerard David
The Marriage at Cana
Date ca. 1500(1500)
Medium Oil on wood
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Gerard David
Triptych of the Sedano Family
Date ca. 1495 (1490-1498)
Medium Oil on panel
Dimensions 97 x 145 cm (38.2 x 57.1 in)
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Gerard David
Virgin and Child with Four Angels
1510-15
Medium Oil on wood
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Gerard David
Madonna and Child with the Milk Soup
1520(1520)
Medium Oil on oak
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Gerard David
The Rest on the Flight into Egypt
c. 1510
Medium Oil on wood
Dimensions Deutsch: 45 x 44,5 cm
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Gerard David
The Marriage at Cana
1500(1500)
Medium Oil on wood
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Gerard David
The Marriage at Cana
1500(1500)
Medium Oil on wood
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Gerard David
The Marriage at Cana
1500(1500)
Medium Oil on wood
cyf
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Gerard David
Virgin and Child with the Milk Soup
1515(1515)
Medium Oil on oak
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Gerard David
Crucifixion
c. 1515(1515)
oil on oak
cyf
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Gerard David
Altarpiece of St Michael
first half of 16th century
Medium oil on wood
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Gerard David
The Adoration of the Magi
1500(1500)
Medium oil on oak
cyf
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Gerard David
The Deposition
first half of 16th century
Medium oil on wood
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Gerard David
Madonna and Child with Two Music Making Angels
1498
Medium: Oil on oak panel
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Gerard David
The Rest on The Flight into Egypt
1510(1510)
Medium oil on wood
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Gerard David
Christ Nailed to the Cross
1480(1480)
Medium oil on panel
cyf
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Gerard David
The Mystic Marriage of St Catherine
between 1505(1505) and 1510(1510)
Medium Oil tempera on wood
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Gerard David
Lamentation
first half of 16th century
Medium oil on oak panel
Dimensions Height: 39.4 cm (15.5 in). Width: 31.7 cm (12.5 in).
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| Gerard David
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b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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